England,  History

Rock History & Me #4: Dunstable California  

Just outside the nondescript Bedfordshire town of Dunstable lies a range of chalk hills known as the Dunstable Downs, home to some attractive countryside and the famous Whipsnade Zoo. In an unlikely setting just off the main road out across the Downs was the California Ballroom, a live music venue which in its day sat comfortably on every tour itinerary below the A-list.

The California in the mid 1970s was the type of venue which would probably not get a licence these days, let alone be on a major gig circuit, without a major rethink. My first time was late ‘74/early ‘75, and my first impression on walking into that place was that I had found a little piece of heaven. Climbing the stairs to the bar above and behind the venue, we walked into a buzz of excitement and a jostling crowd, everyone alive with anticipation and chattering above both the clamour in the bar and the music on the crackling speakers.

After several prompts on the PA as concert time approached, the crowds gravitated from the bar down into the main hall, where guitars and drum kit sparkled under spotlights.

Tonight is a gig for a top band, this place will be rammed. The California, in its other guise, is a dance hall, so there is no seating, just open flooring. It is rectangular in shape, but the stage is on one of the longer sides, meaning the crowd is wider than it is deep. The ceiling is unbelievably low, feeling just inches above our heads, it’s incredibly hot and sweaty, just moments in and we are drenched in sweat. And, of course, everyone is smoking. This tight, cramped, heaving, hell-hot space is disappearing fast into a haze of cigarette smoke. And the atmosphere is utterly, utterly electric.

Time elapsed; it was normal then for acts to be late on stage, maybe an hour or more late, and with each passing minute the tension grew, the smoke got thicker, the sweat got wetter.

This was gigs, 70s style, so very different from today. We didn’t worry about the fire risk, we had no concern about suffocation, never thought that we might be crushed, even when some bands actively encouraged us to push forward towards the stage until the only way to survive was to mosh. Except we didn’t call it moshing back then. It was fantastic.

That manic, almost transcendental atmosphere permeated every gig, regardless of whether it was rock, pop, or even something more subtle. Amongst those I saw here were Sparks, Leo Sayer, Roxy Music, Stranglers and any number of lesser known names (remember The Global Village Trucking Company, anyone?) plus one memorable night in March ‘75 when I saw Cockney Rebel for the first time.

Steve Harley, not exactly loved by everyone in the music press, was magnificent that night, as Rebel pumped out the numbers, shouted obscenities and complained about the heat. The California rocked. Even more than normal. I stayed a Rebel fan for many years and went on to see Harley and his various bands many times over the years. His early music was truly innovative – anyone who needs convincing should play the debut album, “Human Menagerie”, and try to imagine just how NEW all that was in those days.

Time moved on, our gang of mates went our separate ways, and the California era was over without us ever being aware of its passing, but in those months I’d created some of the best memories of my teenage years. And been to some of the rockiest, sweatiest, earthiest gigs ever.

Phil

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